Re: <documenta X><blast>con-pleated space

Lucio Privitello (lucioangelo@earthlink.net)
Fri, 26 Sep 1997 15:55:13 -0700

. .
_________________________ 'a' _________________________
/ \
/ \
/ \
/ \
/ \
/ \
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/__________________________/ embrAsure \__________________________\
| \ | / |
| \ /of \ / |
| \ /what \ / |
|_____________________________\/O--pens\/_____________________________|
/to what \
/wrangles us\
/t/here ford's\
/a clos(e)rr Le-\
/vied 'nous' of a \
/vibration called in\
/x-stances: []space[].\
/ Upon ourselves, long,\
/lasted a-gon[e(rr's)], we\
/call to what not gone, is \
/a mark which rises us from \
/the studio/study floored to its\
/everyday- "presence,fluidity, and\
/becoming".[R.B. 26 Sep 97]. To work\
/t/here is to work a ford; a "gue de \
/la voix". Guethic-gu-esthetic, sans-'a'\
/never not with its 'nom'/'no' as "guano" \
/affords the "gue" to t/here being one of \
/what split O--pens the Other of the other's \
/(k)night. Levied _nous_ on 'love', and "The Am-\
/biguity of Love" in Levinas' (_TI).There, 2-fords\
/"le dur desir de durer"(P.Eluard), there, where "Le\
/dit ne va pas sans dire" (Lacan). Art, there, is to \
/the experience of art as a shore is the immediacy of \
/its own frame. Embrasure; sheared shores of what beyond \
/the eye t/here x-sists to move - (as a body about to slowly\
/turn over, or reclining, awaiting that longing stroke) -- \
/which indeed swims within what of everything thrown aside finds\
/t/here the ache of l.o.v.e (levied _nous_ to Levinas'ed). That x-\
/placed awled ply'd "s"-pace return places personhood as the (k)not \
/of both self and world, and it is at this ][ ]space[ ][ where what \
/ex-planes itself ][h]ourselves [ ][ also and excellently de-scribes /
\itself in the un-doing. /
\ Call it "Fu Sight",('Fu' from the Chinese), or as a reading of/
\chapter twenty-eight in the _Tao Te Ching_. There, there is again/
\"..a _bracha_ of la Bracha..". "[T]he no-place of the exiles.."/
\'Works of art' are the embrace of t(w)o embrasure($), and an /
\embrasure is con-tinged/pleated upon the implied/x-plyed /
\presence of what is escaping its edges. It is a phenome- /
\-'nom/non' of differing potential of its own presence /
\persisting again as the difference which poses itself/
\as foreign. X-cy-aisled - passaged of ways without/
\a 'nave' state.Is this what "an opening of ethics/
\which is brought up to light be [by] some kind /
\of internal move....distinguish[ed] as aesthe/
\tic?". "...and yes I said yes I will yes", /
\from the Joy-c'e' La! /
\ Workings of art strive to place the/
\selves in relation to both sides of /
\an embrasure - the works unworking /
\is then left -'nom'-mad/Thetic /
\embraced to a ford-'a'-hand o -/
\voila' beyond/before what is /
\closed-sured-for psychosis./
\T/here, two by two, a /
\'work of art' is the /
\whipping cy-lid-sent /
\of seductions post-/
\ponement. In such/
\ha(ve)lf-spaces/
\dwell 'works /
\of art'. To/
\'a'quiver/
_____________________________ there at _______________________________
| /\EROS is/\ |
| / \ an / \ |
| / \'A'/ \ |
|_________________________/ | \___________________________|
\ \ embAsure / /
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\_______________________\'a'/__________________________/
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entre chien et loup dans lalangue tre_passes
L u c i o A n g e l o P r i v i t e l l o
|
encore `
"J' A I M E A T O I"
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documenta X Kassel and http://www.documenta.de 1997
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