\From the door, or porta, where even "La" barring un passe-par-tout,/
\glances thrown to portcullis, in "im-material'" knocks, while if /
\there up, passage rebounds window'ed pass-Partout a'-gone, then/
\so(wn)-is-being reflected in Eurydice's crystal spiral ear as/
\ca-parle. Pour ('il y a') no thee-o-rais, 'sans' sounding /
\of a mist-erring patapercept[stasis]shunned, yet never /
\far from an ascent of a prodigal look that while never /
\looking back captures its descent to what dear to it /
\yearns ahead blindly. In corridors "a"-wreck'ed of /
\a passage in terms of para-x-missions there pain-/
\-'t-Ed. There also so(wn) taut. To the mist in /
\'back-woulds' erasures, deleted what spills a/
\delicious caressing of tastes one waits be-/
\yondering a pro-to-wordportcullis. "We" /
\merely figure-it-eight. A pane only /
\now knows how to ice. Perception as /
\dead bones conceals what carves a /
\limit to the movement of a bodies/
\patient feilding t-Ruth. Art is/
\language that fields/feels of/
\hors-texts con-pleats of a /
\gore: spaces to here/hear/
\what awl washes 'a'-way/
/in what Eurydice hears.\
/Our glass is there blind \
/when raised to drink of a \
/moment awl-reeling and lost. \
/Is that "surface of passion" \
/what cre-ate-us already alive? In\
/'art' we feed what there comes for \
/us hungrier for _space_ then we have \
/the _time_ for what's 'cooked-up'. \
/""Beware"" stands there, for taste is now\
/that which we ask "it" a-bout our flesh. \
/What's anaclitic to whom now? Eros object est\
/and our _space_ merely a cored-cartagraphy of a\
/passage of satisfaction in jouissance-nique(r). \
/Humor even there licks the tongue that the language\
/of power seeks to use against it, and as a taste-test\
/slices it as it lines the coat that it dreams of having\
/it carried away in laughing and screaming. Nights naked \
/linings are windowless to what naked is eaten as metaphor. \
/There a "bottom line" is never lined, and what references as \
/a self measures only, and trembling to what hors-pour-no-thee- \
/-or-reasons-erringly x-less'Es' nothing but affects. Dit-not-one-\
/mention this, or-osmosis'ed enter Eurydice's ear? Ecce "inter-with-\
/ness". Hol(e)(d) me-dire there. Nomadic phantasy awl-ears, blinded to\
\then balm-two-healed, since there as taut/taught worn/wares where art/
\by sex-u awled-I-saught. There hear Eurydice-Orpheus in cd, or what/
\by Wit and Steens seeks art beyond the "particular attractor" as /
\A-J-S. Read then Eve's 15th of 8; or Jouke's map mapping mapped/
\of PS & PS2. As a journey back to what as fifth left at the /
\first of 8, allow a collage as what surfs the Myrrh[-phi]to/
\tra-verse the space of travail tremblant - 'a'-gone to /
\ware/wear one's left "[its] over!". Such is the 'edge' /
\which a surface never turns back to, there merely /
\lisplistening for-two taste what casted x-churned a/
\voice which never (k)not listens. There, "in a /
\world deserted by the gods" (A.S.) what bodies /
\mine is the alter-ing state of a dominance /
\unbecoming to an either/or split of maker- /
\observer. 'a' once upon space swoons /
\phor embrasure. Ecce the "transient /
\return-in-transformation of archaic /
\'woman'-m/Other-encounterthing, /
\co/in-habit(u)ating" of the work-/
\x-ings of Bracha's awled-in'La'/
\$/placed space-in/co-hors to /
\a time of its recurrences. /
\["Climb there priestess"]/
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entre chien et loup dans lalangue trespasses
L u c i o A n g e l o P r i v i t e l l o
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documenta X Kassel and http://www.documenta.de 1997
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