Born in Lvov, Ukraine.
Lives
in New York & Berlin.
Born in Lvov, Ukraine.Lives
in New York & Berlin.
Individual Books and Catalogues
"Igor & Svetlana Kopystiansky.
Dialog." With texts by Barbara Barsch, Hannes Böhringen,
Heinz Schütz and interviews with Gavin Janties and Helena
Kontova. Institut für Auslandsbeziehungen, Berlin 1998.
"Exhibition of Paintings," Johannesburg Art Gallery.
2nd Johannesburg Biennale 1997.
"The Museum." Curated by Jürgen Harten. With an
introductory conversation between Doreet Levitte-Harten &
Jürgen Harten, Kunsthalle Düsseldorf, 1994.
"Igor & Svetlana Kopystiansky." Texts by Dan Cameron,
Joachim Sartorius, Christine Tacke, DAAD, Berlin, 1991.
"Igor Kopystiansky." Texts by Igor Kopystiansky and
Boris Groys, Dany Keller Gallery, Munich, 1989.
Desde la Traditción (In the Tradition) by Igor & Svetlana Kopystiansky, Creacion , #12. Numero especial monografico, Octubre 1994, pp. 120-123.
"Permanent Food," edited
by Maurizio Cattelan and Dominique Gonzalez-Foerster, 1996, pp.
154-155.
Kerb your Dog, edited by John Nixon, Sydney, 1993- 1995.
"L'autre. 4e Biennale d'art
contemporain de Lyon." Curated by Harald Szeemann. Réunion
des Musées Nationaux, 1997, pp. 94-95, 208, 216.
Okwui Enwezor. Trade Routes: History and Geography. 2nd Johannesburg
Biennale 1997, pp. 133- 135.
orientATION. The Vision of Art
in a Paradoxical World. 4th International Istanbul Biennial. Curated
by Rene Block, 1995, pp.176- 179.
22nd Biennal International ,Sao Paulo, Brazil, 1994, pp. 397-398,
381-382
The Boundary Rider, 9th Biennale of Sydney. Curated by Anthony Bond, 1992, pp. 136-139.
XLIII La Biennale di Venezia, Aperto, 1988, pp. 310, 347, 350.
Cocido y crudo. Curated by Dan Cameron. Museo National
Reina Sofia, 1994, pp. 50, 58, 118-121, 234-237, 324, 330.
What is Contemporary Art? Curated by Dan Cameron, Rooseum,
Malmö, 1989, pp. 111-119.
"Zeitgenössische Sculptur. Europa Afrika. 7. Triennale
der Kleinplastik 1998," Curated by Werner Meyer, Cantz,
pp. 21, 160-163.
Anni Novanta, curated by Renato
Barilli, Dede Auregli, Carlo Gentili, Galleria Communale d'Arte
Moderna, Bologna; Musei Comunali, Rimini; Catolica, ex colonia
"Le Navi." Texts by: Renato Barilli, Jan Avgikos, Jose
Lebrero Stals, Fransoise-Claire Prodhon, Dede Auregli, Roberto
Daoglio, 1991, pp. 21, 250-251.
A la decouverte... de collections
romandes I, FAE Musee d'Art Contemporain, Pully, Lausanne 1993.
Art Contemporain Sovietique. Sélection
d'Oeuvres Provenant de la Collection Kniga. FIAC 87. Galerie de
France, Editions du Regard. Paris 1987, pp. 38-41.
Art Contemporain Sovietique. Sélection d'Oeuvres Provenant
de la Collection Kniga. ARCO 88. Galerie de France. Editions du
Regard. Paris 1988, pp. 32-35.
Adaptation and Negation of Socialist Realism, Aldrich Museum of
Contemporary Art, 1990.
Adresse provisoire pour l'art contemporain russe, Musee de la
Poste, Paris, 1993.
Artistas Rusos Contemporaneos. Centro Atlantico de Arte Moderno,
Las Palmas, 1990.
Ausstellung: Die Galerie. Geschichte der Wewerka Galerie Berlin.
Published by Klara Wallner and Michael J. Wewerka, Ars Nicolai,
1996.
List
Becker, Wolfgang. Ostkunst-Westkunst. Ludwig Forum for International
Art, Aachen, 1991.
Berlin 37 Raume, Kunstwerke Berlin, 1992.
Binationale 1991. Curated by Jürgen Harten, Kunsthalle Düsseldorf,
DuMont 1991.
Contemporary Russian Artists, Center for Contemporary Art Luigi
Pecci, Prato, 1990.
Dialog im Bodemuseum. Aktuelle Kunst in Historischer Kunst. Curated
by Klaus Biesenbach, text by Wulf Herzogenrath. Berlin 1992.
Fuori Uso'95. Caravanseray of Contemporary Art. Curated by Giacinto
Di Pietrantonio. Umberto Sala Editore, 1996, pp. 75-76, 121 -122.
Fuori Uso'95. Arte. Edited by Giacinto Di Pietrantonio. Arte-Nova,
Peckara 1995, pp.50-53.
In Medias Res. Photography and other Media from Berlin. Curated
by René Block, texts by René Block and Angelika
Stepken, 1997, pp. 86-87,133.
Kabinet. Curated by Guert Imanse. Stedelijk Museum Amsterdam.
SMA Cahiers 6, 1997, pp. 55.
Kunst der letzten 10 Jahre. Curated by Dieter Ronte and Wolfgang
Drechsler. Museum Moderner Kunst, Vienna 1989, pp.14, 150-153.
Kunst im Verborgenen. Nonkonformisten, Russland 1957-1995, Prestel,
München-New York, 1995, pp. 42, 168, 227.
Kunst der Gegenwart. 21 Sommeraustellung im Schloss Plön,
Carius Druck, 1991.
Kunst, Europa, 63 deutshe Kunstvereine zeigen Kunst aus 20 Ländern,
1991, pp. 232-235.
List
La collezione 1988-1990. Center for Contemporary Art Luigi Pecci,
Prato, Italy.
The Museum of Modern Art Saint-Etienne. Edited by Bernard Ceysson,
1990, p.120.
Pictures for the Sky. Edited by Paul Eubel, Prestel, 1989.
Hommage a Gropius, Rosenthal AG, 1994, pp. 28-29.
Momentaufnahme, Junge Kunst aus Moskau. Altes Stadtmuseum Münster,
1988, pp. 48-53.
ICA Documents 8. Novosroika. New structures culture in the Soviet
Union today. Institut of Contemporary Arts. London, 1989, p. 48.
Landscape as Stage. Curated by Raphael Rubinstein, Locks Gallery,
Philadelphia, 1992.
The Quest For Self-Expression, Columbus Museum of Art, 1990, pp.108-109.
The Purloined Image. Curated by Christopher R.Young, Flint Institute
of Arts, MI, 1993.
Quarterly, 3/4, Volume 1, The Soros Centers for Contemporary Arts,
1995, pp. 25.
Ritratto Autoritratto, Trevi Flash Art Museum, Politi Editore,
1994.
Metaphern des Entrücktseins. Badischer Kunstverein, Künstlerhaus,
Karlsruhe, 1996, pp. 148.
Ludwigs Lust. Die Sammlung Irene und Peter Ludwig, Germanisches
Nationalmuseum, Nürenberg 1993.
Memento. Positionen zeitgenossischer Kunst aus Berlin, State Gallery
Prague, 1994.
Monumental Propaganda. Independent Curators Incorporated, New
York, 1994, pp. 81, 92.
On Beauty. Curated by Dan Cameron. Regina Art Gallery, Moscow
1995.
orientATION. 4th International
Istanbul Biennial. Print Portfolio, in an article of Marius Babias,
1996, pp. 45, 46.
Von der Revolution zur Perestroika: Sovjetische Kunst aus der
Sammlung Ludwig. Kunstmuseum Luzern. Essays by Martin Kunz, Evelyn
Weiss, Wolfgang Becker. Verlag G. Hatje, 1989, pp. 135-137, 194,
219-220.
De la Revolution a la Perestroika. Art Soviétique de la
collection Ludwig. Musée d'Art Moderne-saint Etienne. Verlag
G. Hatje, 1989, pp. 135-137, 194, 219-220.
Atkins, Robert. "Art Speak".
Abbeville Press, New York, 1990, p.42.
Baigell, Rene and Matthew. "Soviet Dissident Artists. Interviews
after Perestroika." Rutgers University Press, New Brunswick,
New Jersey, 1995.
Becker, Wolfgang. "Ludwig Forum für Internationale Kunst.
Auswahl aus dem Bestand der Sammlungen," 1992, pp. 236-243.
Becker, Wolfgang and Lagler, Annette. "Ludwig Forum für
Internationale Kunst Aachen." Deutscher Kunstverlag München
Berlin, 1996, pp.88.
Bown, Mathew Cullerne. "Zeitgenössische Russische Kunst."
Phaidon Press, London, 1989.
Bown, Mathew Cullerne. "Contemporary Russian Art." Allied
Books, New York, 1989.
Dictionary of Modern and Contemporary Art. Hasan Editions, Paris
1992, p. 343.
Freeman, Phyllis. "New Art," Harry N Abrams, New York,
1990, pp. 106-107.
"From Gulag to Glasnost." Edited by Alla Rosenfeld and
Norton T. Dodge. Thames and Hudson in assotiation with Jane Voorhees
Zimmerli Art Museum, 1995, pp. 98, 139, 152, 318, 329-330.
Schurr, G. "Le Guidargus de la Peinture du XIXe siécle
á nos jours," Les Éditions de l'amateur, pp.
459, 460, 1989.
Groys, Boris. "Zeitgenossische Kunst aus Moskau. Von der
Neo-Avantgarde zum Post-Stalinismus." Zeitzeuge Kunst, Munich,
1991.
"Gedächtnisbilder. Vergessen und Erinnern in der Gegenwartskunst."
Published by Kai-Uwe Hemken. Reclam Leipzig, 1996, pp. 265-274.
Lucie-Smith, Edward. "Art Today."Phaidon Press, London,
1995, pp. 394, 438, 437.
Lucie-Smith, Edward. "Kunst Heute."Kindler, 1997, pp.
394, 438, 437.
Mayer, Enrique. "International Auction Records. Internationales
Auktionsjahbuch," Mayer, Vol.XXV-25th year, pp. 1487, 1991.
Mayer, Enrique. "International Auction Records", Vol.XXII-23rd
year, 1st of January-31st of December 1988, Edition Mayer, 1989.
Oliva, Achille Bonito. "Lezioni di Anatomia il Corpo dell'Arte."
Edizioni Kappa, Roma, 1995, pp. 270.
Sartorius, Joachim. "Kunst gegen Gewalt. Verantwortlich sind
gerade Sie. Texte zur Akzeptanz von Kunst in unserer Gesellschaft,"
1992, pp. 92-93.
Sotheby's, Art at Auction 1987-88, Russian Avant-Garde and Contemporary
Soviet Art in Moscow by Matthew Cullerne Bown, pp.138-147, Sotheby's
Publications ,1988.
Strauss, Thomas. "Zwieschen Ostkunst und Westkunst. Von der
Avantgarde zur Postmoderne," Scaneg, München, 1995,
p. 255.
Tupitsyn, Margarita. ""Kriticheskoye Opticheskoye."
Ad Marginem, Moscow 1997.
Tupitsyn, Margarita. "Margins of Soviet Art."Giancarlo
Politi Editore, Milan 1989.
Tupitsyn, Victor. ' "Drugoye" Iskusstva.' Ad Marginem,
Moscow 1997.
Wasko, Ryszard. "Construction in Process," Artists Museum,
Lodz, 1997.
D'Arcy, David : an interview with
Igor & Svetlana Kopystiansky. National Public Radio, New York,
November 6, 1988.
Henke, Barbara. " Interview über Igor und Svetlana Kopystiansky,"
Hessische Rundfunk, Suddeutsche und Mitteldeutscher am: 5. 3.
1994, S II, 18.30 Uhr. "Kultur aktuell, 7. 3. HR II, 17.30
Uhr."Radioskop", 8. 3. "Fruhstuckjournal MDR, Kultur,
6. 5. - 9. Uhr.
Kontova, Helena : an interview with Igor and Svetlana Kopystiansky.
"Through the Past Darkly," Flash Art International,
October 1993, pp.109-112.
"Moscow-Soviet Changes: The Artists Point of View, an interview
with Igor & Svetlana Kopystiansky," The Journal of Art,
vol.1, No. 3, February-March, 1989.
Schefferski, Roland : an interview with Igor & Svetlana Kopystiansky.
"W Dialogu z Tradycja." Obieg 05/06, No. 49-50, 1993,
pp. 48-53.
Schütz, Heinz : an interview with Svetlana und Igor Kopystiansky.
"Der Text und das Bild sind nie wirklich zerstört, sie
sind versteckt." Kunstforum, Bd.123, 1993, pp. 150-159.
Schütz, Henz : an interview with Svetlana und Igor Kopystiansky.
"Wol-Gan-Mi-Sul" ( Monthly Art Magazine), South Korea,
1994.
Tupitsyn, Victor and Margarita : an interview with Igor &Svetlana
Kopystiansky, "Flash Art" Russian Edition, #1, 1989,
pp. 119-121.
Agalides, Sandra.
"The Art of Glasnost," Artweek, April 22, 1989, pp.
3-4.
Ament, Deloris Tarzan. "Bearing the Message," The Seattle
Times, April 13, 1990.
Anderegg, Roger. "Bilder einer Revolution," Schweizer
Illustrierte, June 6, 1988.
Art, "Personalien," 7/1989, p. 23.
Atkins, Robert. "Soviet Art Takes Off." November 1,
Village Voice, 1988.
AZ München, "Die Galerie lockte Elton John aus der Reserve,"
Freitag 5 Mai 1989, p.-28.
Babias, Marius.
"Distant Echoes. Igor & Svetlana Kopystiansky."
Artscribe, Feb.-March 1992, pp.
84-85.
Babias, Marius. "Igor & Svetlana Kopystiansky" Ateljer
:Magazine of International Art, Japan, January 1992, pp. 68-79.
Babias, Marius. "9th Biennale of Sydney." Kunstforum
, Bd. 122, 1993, p. 377.
Babius, Marius. "Igor und Svetlana Kopystiansky. Berlinische
Galerie." Kunstforum , Bd. 116, November/December 1991, pp.
383-384.
Barron, Sonia. "Visit to a cavernous bond store was depressing,
9th Biennale of Sydney," The Canberra Times, January 9. 1993.
Bartolotti, Paola. "Artisti fra gli Artisti," Segno,
Cover Photo and pp. 23, Aprile 1990.
Bechtloff, Dieter. "Kunst und Humor. Kleines Ikonographisches
Bild-Lexikon von A-Z." Kunstforum , Bd. 121, 1993, pp. 180,
189, 190, 247.
Becker, Katrin. "Russen in Berlin," Zitti, No. 19/1992,
p. 80.
Bergisches Handelsblatt, "Bilder und Bucher ironisch verwendet.
Svetlana und Igor Kopystiansky in der Kunsthalle Düsseldorf,"
2. 3. 1994.
Bers, Marie. "Richesses des Romands," Journal de Geneve
et Gazette de Lausanne, March 9, 1993.
Billaudelle, I. "Die Tur zur Szene Moskau ist geoffnet,"
Die Wahrheit, Oktober 8/9,1988.
Bizot, Jean-Francois."L'Art que Nous Avons," Actuel,
No.101, November 1987.
Blake, Patricia. "Beyond the Wildest Expectation," Time,
July 18, 1988.
Blee, Kathryn. "Reviews: Sovjet Art, Moscow, Sotheby's,"
Art & Auction, October, 1988.
Bludeau, Tod. "The art that came in from the cold."
Interview , November, 1988.
Bockhorn, Ursula. "Russische Kunst stellt sich vor,"
WZ, 30. 5. 1991.
Bode, M. Peter. "Worte in den Schrank gesperrt- Svetlana
und Igor Kopystiansky in der Galerie Keller," A.Z., 30. 5.
1989.
Botella, Juan. 'Artistas de cinco continentes protagonizan "Cocido
y crudo,"La Informacion de Madrid, 22 Jan. 1995.
Bouisset, Mariten. "De la Revolution a la Perestroika,"
Beaux Arts, Spring 1990.
Brant, Diana. "Volver del frio," El Guia, Junio, 1990.
Byer, Guy & Lebovici, Elisabeth. "Edito-Torchonost et
Servittestroika," Beaux Arts, November 1988.
List
Calnec, Anthony.
"New York." Contemporanea, March/April, 1989.
Cameron, Dan. "Igor & Svetlana Kopystiansky." Flash
Art International, Nov.-Dec.1991, p.158.
Cewing, Ulrich. "Lob vom Kultursenator-Finanzierung dennoch
ungewiss,"
Art, No. 2, February 1993, p.113.
Clothier, Peter. "In the Moscow Studios." Artspace,
July/August 1989, p. 57.
Cochrane, Peter. "Our 'cultural olympics' kicks offf,"
Sydney Morning, December 15, 1992.
Colin, Muriel. " Moscow enflamme New York." Dynasteurs,
Mai 1990.
Connaissance des arts. "Maree russe", #457, March 1990.
Contemporanea, January-February, 1989.
Corbea, Xabier Saenz de. "Cocido y Crudo," Deia, Bilbao,
24 Dec. 1994.
Cramer, Sue. "Back to the Future. Report from Poland."
Art in America, March 1991, p. 67.
Critiani, Luca. "L'Arte russa alla ricerca di una nuova identita,"
Correre del Ticino, 21 April 1990.
Dalesio, Gabriella.
"Artisti russi contemporanei." Nike, Mai / June 1990.
Dalesio, Gabriella. "Artisti russi contemporanei," Nike,
Mai / June 1990.
Danvila, Jose Ramon. "El juego ironico," El Mundo, 9
Dec. pp. 91, 1994.
De Rosa, Stefano. "Tormentata Transizione," Cultura
e Comunicazione, February 13, 1990.
Deckert, H.J. "Auf und Ab fur Sovjetkunst," Tagesspiegel,
July 9, 1988.
Depondt, Paul. "Glanzen pundaken aan de rand van Prato,"
Volkskrant, 5. 4. 1990.
Der Tagesspiegel, "Zeitgenossen und alte Meister," July
29, 1992.
Dorado, Maria Luisa. "Cocido y Crudo," Noticias Medicas,
pp. 44, 15 Feb. 1995.
Duesseldorfer Blatt, "Bilder und Bucher ironisch verwendet.
Kunsthalle zeigt Werke des russischen Kunstlerpaars Svetlana und
Igor Kopystiansky," 26. 2. 1994.
D'Agnolo Vaillan, Giulia. "Cocido y crudo," Una galeria
di opere d'avanguardia al Museo Reina Sofia di Madrid," L'Uomo
Vogue, pp. 135-136, Jan. 1995.
El desproposito
de "Cocido y Crudo," El Punto, 19 Jan. 1995.
El desproposito de "Cocido y Crudo", El Punto De las
Artes. 13 Jan. 1995.
Engelhardt, Gunter. "Das Museum, die Bibliothek Im Salon
ist aufgedeckt," Rheinischer Merkur, 4. 3. 1994.
Everingham, Carol J. "Soviet Art Above Ground," Weekend,
August 3-5, 1990.
List
Fanelli, Franco.
"Ne cotti ne crudi: Cameron serve giovani al dente,"
Il Giornale dell'Arte, Dec. 1994.
Fanelli, Franco. 'Le "transculturalisme" est l'avenir
de l'art contemporain.' Le Journal des Arts, Jan. 1995.
Faria, Oscar. "A cozinha de Cameron," Publico, 15.Dec.
1994.
Felipe Pereda, "Arte/ Punto de Encuentro," Magazine,
p. 62, 11 Dec. 1994.
Fenner, Felicity. "Boundary ride lost in space," The
Sydney Morning Herald, Saturday, January 9, 1993.
Fisk, Rose. "The Russians Are Coming," The Rigefield
Press, June 7, 1990.
Flash Art International, Dan Cameron Curates Cooked and Raw for
Reina Sofia, p. 178, October 1994.
Flash Art International. "A Report on Sotheby's Auction in
Moscow," News, # 142 October 1988.
Flash Art International, "Contemporary Russian Artists in
Italy," News, March / April, 1990.
Fleury, Jean-Damien. "Les collection privees etonnent le
Musee d'art contemporain," La Liberte, February 27/28, 1993.
Florez, Fernando Castro. "El menu del dia," Diario,
p. 40. 26 Dec. 1994.
Frehner, Matthias. 'Das Ander und das Ewig-Gleiche. "Biennale
d'art contemporain" in Lyon.' Neue Zürcher Zeitung,
30/31, 8, 1997.
Fricke, Harald. "In the Tradition. Igor und Svetlana Kopystiansky
in der Berlinischen Galerie." Zitti, No. 19/1991, p.159.
Galloway,
David. "New Soviet Art: Witty, Irreverent." International
Herald Tribune, May 11-12, 1991.
Gambrell, Jamey. "Perestoika Shock."Art in America,
February, 1989.
Gamerman, Amy. "Soviet Artists in America." The Wall
Street Journal. 1990.
Gibson, Michael. "Stark Look at Soviet Art." International
Herald Tribune, February, 17-18, 1990.
Gibson, Michael. "Tracing the Other History of Art."
Art International, Summer 1990, p. 36.
Gimelson, Deborah. "Soviet Art." Art & Auction,
No. 10. May, 1990.
Glowen, Ron, "Seattle." Contemporanea, November 1990.
Goldmann, Daniela. "Dialog zwischen Ost und West." Nike,
Mai-June 1989, pp. 28-29.
Gorsen, Peter. "Wider den Kulturimperialismus." Frankfurter
Allgemeine Zeitung, December 17, 1991.
Grosse-Bockhorn, Ursula. "Russische Kunst stellt sich vor,"
NWZ, 30. 5. 1991.
Groys, Boris. "Die neue russische Kunst: der Kunstler als
Figur eines humoristischen Romans," Kunstforum Bd. 121, 1993,
pp. 133-135.
Groys, Boris."Exportkunst im Nomadenlager," Frankfurte
Allgemeine Zeitung, 25. 2. 1989.
Grundberg, Andy. "Art, too, finds a Summer Home outside Manhattan."
The New York Times, August 24, 1990.
List
Heiden, Peter van
der. "Oud & Niew, Oude Kunst & Moderne Kunst,"
Rijksmuseum Kunstkrant, No. 1, August/September 1989, p.11.
Hoerisch, Jochen. "Die Wirklichkeit der Medien und die medialisiete
Wirklichkeit," Literarische Moderne, Tuebingen, 1994, p.
29/16.
Hoexter, Corrine. "Art everywhere is a hot Investment (Part
II)," Global Finance, October, 1989, p. 122.
Hughes, Robert. "Canvases of Their Own,"Time Magazine,
April 10, 1989.
Jaeckel, Claudia.
"Frischer Wind aus Moskauer Ateliers." Pan, 1 / 1990,
pp. 42-45.
Jaunin, Fransoise. "Le musee Edelman ratisse les collectios
romandes," 24 Heures, February 18, 1993.
Jean,'Mestizaje del arte actual de cinco continentes en la muestra
"Cocido y Crudo" del Reina Sofia,' 15 Dec. 1994.
Jimenez, Jose. "Demasiado Crudo," Cultura, 21 Jan. 1995.
Jocks, Heinz-Norbert. "Sowjetische Kunst um 1990." Kunstforum
Bd. 113, May/June 1991, pp. 332-334.
Jocks, Heinz-Norbert. "Igor und Svetlana Kopystiansky. Das
Original und die Kopie. Kunsthalle Düsseldorf" Kunstforum,
Bd. 126, 1994, pp. 372-373.
Jolles, Claudia. "Moscou Annees 80." Le Cahiers du Musee
National d'Art Moderne, 1988.
Jolles, Claudia "Moskauer Freiheit 1988", Art # 10/
October 1988, pp. 74-75.
Kachur, Lewis.
"Beauty is Dead (That's Beauty). World Chronicle, New York."
Art International, Winter 1990, pp. 63-64.
Kempkes, Anke. "Allegorie de la Richesse," Zitti, No.
26/1993, p.76.
Knapp, Gotfried. "Bilder, die Bande sprechen: Svetlana und
Igor Kopystiansky in München." Süddeutshe Zeitung,
June 2, 1989.
Koeppen, Marianne. "Moderne Kunst soll Betrachter aufrutteln,"Ostholsteinisches
Tagesblatt, July 8, 1991.
Kovalenko, Y. "Russkie Khudozniki na Yarmarke Isskustv,"
Izvestia, Nov. 9, 1990.
Kunstblatt Sonderheft "Europaische Kunst in Berliner Galerien,"
Kunst Konzentriert, 1988.
Kunstmarkt ,"Ironie der Verfremdung, Das russishe Kunstlerpaar
Svetlana und Igor Kopystiansky," pp. 18-19 3/94.
List
Lagler, Annette.
"Räume über Räume," Ludwig Forum für
internationale Kunst, ArtefACt, Nummer 19, 13. Juli'95, p. 6,
1995.
Lee, Gary. "Moscows Night of Auctions Fever," Washington
Post, July 8, 1988.
Lesser, Guy. "Artists more Russian than Soviet. Three Generations
of Double Lives." Art International, Summer 1990, pp.48-51.
Levin, Kim. 'Reds over the Beds. The "New Russians"
invade Manhattan.' Art Line, Vol 5 #2, Summer 1990.
Levin, Kim. "The new Russians."The Village Voice, Apr.17,1990.
Lynn, Elwyn. "Craying out for Colour. Biennale of Sydney."
The Australian. Saturday 9. 1. 1993.
Madra, Beral.
"Forth Istanbul Biennial Orients the Metropolis." Flash
Art International, #186, January-February 1996, p. 45.
Mahoney, Robert. "Igor and Svetlana Kopystiansky." Arts
Magazine, Summer 1990, p. 93.
Mc Gill, Douglas C. "Soviets Designate a U.S. Dealer for
Their Artists." The New York Times, January 10, 1989.
Mercuri, Bernardo. "Artisti russi contemporanei," Tema
Celeste, April-June 1990.
Merkling, Frank, "Two demonstrate a Changing World."
The News-Times, June 26, 1990.
Micieli, Nicola. "Artisti russi contemporanei," Arte
in Via, April 1990.
Miliani, Stefano. "I quadri della perestroika," L'Unita,
February 9, 1990.
Misiano, Victor. "Kindergarten für erwachsene Kinder,"
Durch , No. 2, 1987.
Monatsprogramm Duesseldorf, "Igor und Svetlana Kopystiansky."
Kunsthalle Duesseldorf, February 1994, p. 19.
Morgan, Robert. "Igor and Svetlana Kopystiansky."Flash
Art International, No.144, Jan.-Feb.1989.
Müller, Dorothee. "Wenn die Kunst in die Luft geht.
Bilder fur den Himmel- eine Ausstellung im Haus der Kunst,"
Suddeutsche Zeitung, December 16 / 17, 1989.
List
Nungasser, Michael.
"Szene Moskau," Berliner Kunstblatt # 60, Nov.-Dec.
1988, pp. 87-88.
Nuridsany, Michel. "Bons baisers de Moscou. Au Musee de la
Poste." Le Figaro, June 8, 1993.
Olivares,
Rosa. "Cocido y crudo. El mayor espectaculo del mundo,"
1995.
Peboiras,
Ramon F. "Arca Denoe," Cambio 16, 26 Dec. 1994
Picot, Pierre. "Art Matters: Russian Art." Santa Monica
News, March 31- April 13, 1989.
Pinharanda, Joao. "Arte em Madrid para todos os gostos."
Publico, 2. Feb. 1995.
Prat, Veronique. "Gorbathev Delege La Peinture," Le
Figaro Magazine, March 26, 1988.
Praxmarer, Inge."Phantastische Bibliothek in der Kunsthalle,"
Tiroler Tageszeitung, September 25, 1989.
Prima,"Exposiciones." Arte sin Fronteras, Madrid, Jan.
1995.
Princenthaler, Nancy. "Artist's Book Beat." The Print
Collector's Newsletter, Vol.XXVI No.4, September-October 1995,
pp. 145.
Quappe, Andreas,
"Vom Fussballplatz in 37 Raume," Berliner Zeitung, 16.
6. 1992.
Roca, Anton.
"L'Art de la perestroika," Avvi Art, April 18, 1990.
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