Go to: Selected Poems of Kitasono Katue or Glimpses of Avant Garde Japan

 


 

fromBLACK FIRE (Kuroi hi), 1951

by Kitasono Katue

 


 

MONOTONOUS SOLID

in the mirror
turtle's
egg
burst
summer's burst
gloom's
shadow's burst
that bubble
that hopeless
wing
or
that
avalanche
of
clouds

one drop
of my location
and
stripe
of tragedy
and
circle
of loneliness's
head

that
verticality
that
blanc d'argent
that
illusion
that
burst

imagination's
face's
curved line's
dark
jaw's
hard loneliness

that craving
voice
is full of
gloom's forest

the day
also passes
for
an extremely fast
fly

needle
of white cone's
distance
needle of bread and
water
lead moon
repudiates
lead flag

dream's
butterfly's
burst
on
top of smashed plates
still voluptuously
fragrant
black firearm

death's
burst
inside
hot glass bottle
star's
water's
dahlia's
extraordinarily visible burst

 


 


 
BLACK RAIN

screaming billboard
in
the rain

winter
wetted by hope
walks the muddy city

in
a faded
overcoat

warm logic of solitude
god with stripes
and Sartre, etc.

the wind
is empty
tearing through today

in winter's black rain
the lonely metropolis
at twilight

 


 


 
A UNE DAME

                             qui me donna une cigarette, quand j'etais
                             fatigué, triste, et r&ecute;vant du cheval vert.

dream
that
lead
lily
's
gloomy
stripe

shell
's
loneliness
leaning
against
black
idol

in
illusion
's
mirror
dripping
crotch
's
wall
's

or
illusion
's
rain
's
soap
's
desert

that
vacuum
's
mermaid
's
intense
head
's
pyramid

 


 


 
OU UNE SOLITUDE

glass
inside
glass

that
curved line
and
within
it
gloomy
seashell

above
one
stem
the
wind

a
plate
for
tragedy's
plate

one star
breaks
one
star
departs

for
purple's
yellow
wreath
there
are
purple
yellow
wreaths

one
star
departs
one
star
sits
down
crying

 


 


 
BLACK PORTRAIT
(followed by sample pages of original typography and notes)

hopelessness's
alcohol's
purple
moustache

or shadow's
egg
inside
cage
of
bones

distance
of
night
of
death's
turtle

solitude is
wetted
by
black
rain
rotting
in
ladder
shape

that
wall
that
brittle
cone's
lonely
part

 


 


 
ON THE TYPOGRAPHY OF BLACK FIRE
from John Solt's Shredding the Tapestry of Meaning

Each page (of Black Fire) contains only one or two lines, positioned near the top of the page. These fill approximately 5 percent of the page, thus creating a tension between the type and the blank space. If Katue had not shortened the page, the disproportion between print and emptiness would have been even more pronounced. Another striking feature of the design is that the poem titles are printed in red ink and the poems in black, thus reinforcing the theme of a "black fire."

More radical than the short line lengths and the two-color lettering is the innovative way the poems of Kuroi hi are to be read: top to bottom and right to left. For other modern Japanese poetry, the eyes move vertically and then shift a line to the left and proceed down it, and a page is read right to left; or, when the type is laid out sideways as in the case of European languages (common these days), it is read from left to right. Katue essentially throws his readers off-balance by forcing their eyes to move horizontally in the "unnatural" direction of right to left. (On the rare occasions when Japanese was written horizontally in the past, the common direction was from right to left, and in a sense Katue was reverting to an old practice; it is, however, new to modern poetry.) He was the first poet in Japanese, as far as I know, to use a "double axis" of vertically down and horizontally right to left, thus rattling the reading process. Following is a transcription into directional signs for reading (down and right to left) "Kuroi shozo" (Black Portrait), one of the most extreme poems in the double-axis mode. Each letter or number stands for one graph; letters are read vertically (top to bottom) and numbers are read horizontally (right to left), starting at the top right-hand corner. The common form by other poets could include a string of letters ad infinitum, but would never have a number higher than 1.

Click here for two sample pages with diagram of reading directions, in "Black Portrait."

 


Return to Kitasono Katue: Oceans Beyond Monotonous Space

Return to Light and Dust Anthology of Poetry